Freelance Writer : Terrain Parks : Skier : Creative Direction

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“#Raw ” Says Whistler Blackcomb about my World Ski and Snowboard Festival Coverage

Here’s a snippet from the story:

‘…But are: shredding, drunkeness, late-night lineups, too-hot chairlift laps, skiing in t-shirts and tutus, meterosexuality, vanity, drug use, spitting, predatory sexuality, glory – and the absence of any adult with a working internal compass – the real reason why Watermark puts on this festival in the first place? Is it pre-packaged chaos? Where is the ‘magic of the festival?’…’
And WB responded on Twitter with:


WSSF Whistler ‏@wssf
25 Apr: Ha! Love. RT @doglotion: ha! great read about @wssf at @WhistlerBlckcmb last week. #raw http://www.doglotion.com/essays/blood-sweat-tears-real-wssf-whistler-2013

#raw

Check out my second annual (and a little different) coverage of the World Ski and Snowboard Festival in Whistler this spring, in it’s entirety, here:

http://www.doglotion.com/essays/blood-sweat-tears-real-wssf-whistler-2013

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Support from The Swedish Fish aka SWEF in Whistler Blackcomb

Support from The Swedish Fish aka SWEF in Whistler Blackcomb

Happy to now be reppin’ SWEF (swef.se) a provocative street wear brand from Sweden that supports the infamous Breddas fam (http://www.breddas.com/) and now me and a few select homies in Whistler. We Swimmin’! Check them out. The fisher hats you see here will be on the majority of the terrain park diggers on the Horstman Glacier, braving the sun to pimp the Camp of Champions, Momentum Ski Camp and the Whistler Blackcomb public park. Available to buy as well. bentevents@gmail.com for inquiries!

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New Client/Photographic Art Exhibit Copy & Deadline of 48 hours: for One Eye’d Jacks exhibit of ‘Blue Collar, Red Dust’ in Brighton, England

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The working class has been documented since long before Van Gogh’s ‘Potato Peelers’ or Millet’s ‘The Angelus.’ However, specifically in America, the fascination with blue collar work and rural life may well lie in it’s contradictions. Most vividly, when the routines of the people are held up beside the paramount narrative of a great, gifted, fake-breasted dream. An archaic dream that only eludes and remains increasingly out of reach for the vast majority of the country’s citizens; America’s material-industrial vacancy has occurred in the wake of an impossible dream being whole-heartedly indoctrinated.

Walker Evans 1941 publication of ‘Let Us Now Praise Famous Men’ cast his depression era subjects into ‘a light that they couldn’t do any better, that they were doomed, ignorant,’ as one sharecropper said in an angry letter in response to the photographer’s series. But was it the images that frustrated the farmer or his failure to realize the dream? Or was Evans being a ‘class tourist?’ Furthermore, who do you see when imagining a Post-Bush-era-American who grew up in a world of ever-increasing idealism? Are they doomed, ignorant, or something else? What have you heard?

David Harriman, Bryan Schutmaat and Tim Richmond are three photographers showing at the ‘Blue Collar, Red Dust’ photography exhibition at One Eyed Jacks on York Place between ______ and _____, 2013. When exposing the inside of rural American life during economic crisis, sentiment and dutiful empathy are synchronized strokes seen between the three photographers, and all three intrinsically analyze how these places and people have handled and maintained the different myths of western, white and platinum collar America.

“The world breaks everyone, and afterward, some are strong at the broken places.”

-Hemmingway.

David Harriman photographs ‘The Red State’ somewhere north of Amarillo, Texas around January 2009 – in counties that voted 90% in favour of the incumbent Bush government – very soon after the historic election of Democrat, Barack Obama. It’s a place where slurpees cost less than a bottle of water, Dad works at the gas station, BFF’s are wired together with the ‘Y’ of an Ipod, pre-teen girls and boys look straight ahead wearing hand made jewelry, and kids in denim have kids in denim. Everyone is doing the ‘Amarillo Gothic’ just after the first black American president bought a really broken piece of machinery. Harriman gives you all kinds of youth (standing on January frost and in the middle of the street) in a town that lost something but doesn’t quite know what it is. Or was.

In ‘The Rust Belt’, he focuses on the once industrial heartland of manufacturing in the US, and the largest industrial region in the world. Big steel, auto manufacturing and mining were the backbone of the states (mostly underneath the Great Lakes) until it’s decline through the recession of the early 80′s. Today, the landscape is characterized by the presence of old factory towns and post-industrial skylines. The work’s absence of life and wide-open window of bold winter cold accentuates a feeling of departure and also ‘the departure of optimism’ via an absent population driven to work in the South’s relatively magnetic Sun Belt. The rare sight of a girl – who decided to stay – rarely leaves her home and overlooks a nativity scene on the lawn that should have been long packed away, as it is after Christmas.

Bryan Schutmaat’s work takes on the myths and beauty of the American West in his series titled ‘Grays the Mountain Sends:’ a sentence taken from the Richard Hugo poem, ‘Degrees Of Gray In Philipsburg’ which reads: ‘The principal supporting business now is rage. Hatred of the various grays the mountain sends, hatred of the mill, the Silver Bill repeal, the best liked girls who leave each year for Butte.’ Clandestinely, Schutmaat references Hugo’s literary work throughout his exhibition; touching on the poet’s depiction of masculinity in the American West and nodding more outright, too: producing near companion images which directly mirror sentences of the American poet, Hugo, ie: ‘the girl who serves your food is slender and her red hair lights the wall.’

A main vein in ‘Grays the Mountain Sends’ is Schutmaat’s palpable awareness of not heroicizing the underclass: ‘I know there’s nothing heroic, romantic, or fun about backbreaking labor and poverty,’ the photographer said in a recent interview with HotShoe Magazine. ‘But to overcome or endure it, with dignity and resolve, deserves admiration and honor. And the guys in my pictures are working class, not destitute; they’re just dealing with life, not asking for anything. So to recognize their character and strength isn’t the same as romanticizing their way of life.’

Finally but enthusiastically in ‘Blue Collar, Red Dust’s’ plethora of correspondence from some disenchanted states, is Tim Richards 2007-2012 vignette, photographed in Wyoming, Utah, South Dakota and Montana.

‘My introduction and inspiration to travel in the West came from cinema,’ Richmond says. ‘Junior Bonner with a beaten up Steve McQueen driving his convertible Cadillac, towing a horse trailer, grinding out a life driving on dirt roads from one small town rodeo to the next. Hud with rancher, Paul Newman tearing up small town life, and Days of Heaven with Nestor Almendros’ cinematography of the open plains…

The narrative potential of the photographs, it occurred to me, was enhanced by the all the isolation. Secluded man made objects fading and disappearing amongst the epic landscape…’

Narratives and cinematic tension erupt from Richmond’s work. Is it shaped or sought out? The brothels, wanted posters for the murderer of goofy human ‘Chicago Bob,’ a young cowboy checking in at last with apprehension and charm; there’s empty basketball courts. Eureka, Utah is despondency at it’s worst: the America that alienated itself. In Wyoming, four cowboys bow their heads before the rodeo while a fifth opens his eyes wide at the thought of being gutted. Motel’s and ranchers become a quiet part of the American populace. The West was once more traveled through. The myths created by sheer space and self-dependence, the roads, motels and gas stations are now largely flown over. But strong resolve shows from those both guarding and supporting the few remaining establishments.

Observing the retreating trails of a dream, Richmond, Schumaat and Harriman ultimately show us a series of roads, going both in and out of America’s blue-collar territories.

http://www.oneeyedjacksgallery.com/

Check the gallery out! Great attitude toward sales and limited editions. Matt Henry is the man – b

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Competing with RedBull at Cypress MTN.

Competing with RedBull at Cypress MTN.

Had a great time competing with my friends at Cypress Mountain a few weeks back. I got all the tricks I wanted and really enjoyed the sun and good vibes!

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Correspondence for Doglotion.com: Truth, Ornithology and Jordan Innes.

Doglotion.com Correspondence about: Ornithology and Jordan Innes

(ed. The intro you see here was an experiment with ideas of ‘self-evident’ truth as it appears on the internet and secondarily, a jab at lazy journalists. Thirdly it’s an interview with one of my favorite skiers in the game right now, Jordan Innes. Check the link for: the full interview, a bunch of photos of the kid and two insanely good edits.)

How is it that one of the best rail skiers in Canada isn’t a household name yet? Where are the straight goods on one of the fastest progressing kids out there, our man Jordan Innes? This is a guy who sets his mind on a trick and, without question, will find a way to dissect it. How does he do it? Is it science that he employs? Well, not quite. Try ornithology.

A little research on Innes shows that he studies ‘Burdz’ at the prestigious ‘University of Steee.’ And also, his primary language is Chinese – shockingly, because he was born and raised in Innisfil, Ontario (presumably to Chinese immigrants.) And as all intelligent young men and women should, Innes is proud to advocate his favorite teacher, Prof. William Nye Tho on his Facebook page. (http://www.facebook.com/ThaFadedScienceGuy) Nye Tho, is a scientist and presumably Thai (or possibly Chinese as well) who has no doubt formed such a strong bond with 20 year old Innes while teaching him Ornithology at the U of S. And the bond strengthened, presumably, due to their respective lineage from the far east.

Too, a proud supporter of the evangelical Christian right’s ‘Stop Weed Smoking’ campaign on FB, (http://www.facebook.com/BanWeed) Innes seems to have his moral and ethical code written in stoned. A surprise for such a young jibber in the slopestyle game: a game so diluted with alcohol abuse, drop outs, illicit narcotics, rap music and poutine, our man Innes is a God-honest ray of sunshine and may well be the industry’s next great white hype. Er, great Chinese hype.

BURRRRRRRRRRR, Son!

http://www.doglotion.com/essays/ornithology-and-jordan-innes

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Newschoolers.com Feature News Update. Skiing by Yours Truly, Photos by Stewart Medford

Newschoolers.com Feature News Update. Skiing by Yours Truly, Photos by Stewart Medford

Click the link for some high quality ‘b’ photos that we got while shooting catalog photos for Liberty Skis and Trew Outerwear last season. The ‘a’ is also included!

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Leaving BULGARIA!

Leaving BULGARIA!

This photo was taken in Bansko, Bulgaria a few days before we left. Joe Schuster from http://www.thekidsconcept.com and I, along with Tom Winter from http://www.tomwintermedia.com were there getting shots and skiing for an SBC Skier feature to be released next season. It was an amazing trip. 70+ cms of powder on sloughing mini-golf lines and perfectly spaced Macedonian pines. Keep your eyes out for the story. ALSO I just got on the Instagram program, so follow me to stay in the know about my exploits!

Big thanks to Liberty Skis, SBC Skier, Bulgarian Freeride, OXO Schools, Spy Goggles, Trew Gear, TMC Freeriderz, LoveJules Leather, Outdoor Technology and everyone else who made this trip possible.

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Submitted PROSE: HOBO Magazine SIOUX section.

Submitted PROSE: HOBO Magazine SIOUX section.

A little prose-y piece I put together after spending a long night with a talented leathersmith. Photo by Josh Blodans. http://www.etsy.com/shop/lovejules

-The Girl Too Young For Knuckle Knots

We stared across the thick wooden table at each other – four in the morning, her eyes were wet with work. Her hands wrestled the sole into the mold and she said she didn’t know what success meant.

We made space-black coffee in the flat above her leather studio and she put a sculpted jackalope skull on my ring finger. With a crooked smile she led me down the descending steps into the dimple dwelling discs of steadily falling snow: Julia Vagelatos – the girl too young for knuckle knots – needed a hand getting forty-five pairs of hand made shoes crafted and on the stoop of a Sitka Dealer on West 4th Street in Vancouver by noon the next day.

Five a.m didn’t notify us and struck while I continued burning cursive into by-product animal hide and Jules drove an exacto knife around the half-oval of yet another insole like a NASCAR driver. Blind with exhaustion, her head half-shaved, her neck gave out and she nods while, unfazed, her unsweetened tree hands race around the bend again: she looks like she’s praying from my place across the exhausted table – for a nylon flag to finally wave to her like a chess board: signifying sleep or just another met deadline.

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Skiing in the Liberty Catalogue. Photo by Stewart Medford

Skiing in the Liberty Catalogue. Photo by Stewart Medford

These skis are unbelievable and so is the photographer! A casual left hander above harmony in Whistler. Wearing my trew outerwear ft. outdoor technologies and tmc freeriderz did the tune up as well!

FIRST SWEDISH TRANSLATION: Champ of Scandanavia Wakeboard coverage in Swedish and English.

Submitted to Alliance Wakeboard, UK and Nordic Surf Mag, SE.

VIDEO: http://vimeo.com/46749638

Spying at the Champ of Scandinavia.

By Ben Wannamaker

Arriving to see Sweden’s private summer ‘Neverland’ two weeks before the annual ‘Champ of Scandinavia’ wakeboard cable system competition on July 20-22, was, barring all exaggeration: a mind-fuck.

For any spatially conscious athlete (barring no skateboarder, skier, snowboarder, surfer, kitesurfer and primarily: wakeborder) a facility like that which is seen on the grounds of WCPE (West Coast Park Events) can hardly be approached in any civilized manner. Immediately one will twitch and get itchy to rip. Because sitting in the backyard of the competing Hoppe clan’s (Benjamin, Mattias, Jeremia and Judith) family home is: a perfectly popping trampoline, a cable system with a perfect pond – filled with utterly sizable sliders, rails, heel and toe side jumps half submerged, a 4-foot-mini ramp, a summer snowboard and skiing jib setup with an assortment of rails and boxes to choose from, a launch ramp into their pond for floating bikes, scooters, rollerblades and skateboards as well as a moto-x kicker equipped with a perfect grassy transition.

I was happy to see the compound ‘sleeping’ when I arrived two weeks before the aforementioned event. But the differences were palpable between then and the day of the contest.

Where one calm day before the media shit-storm flew in, I could roam freely between the trampoline and the mini-ramp, suddenly I was dodging gazelles with no clothes. Their sculpted boyfriends held hamburgers, swung overly priced iphone holders from their thick necks, sported shiny shades and showed off shitty tattoos. When during my first visit a family of ducks mucked about in the easy evening, they were forcefully ejected from their duck-home two weeks later by 600 extremely stylish young people, proud dad’s with bad tans, eighteen year-old girls with douche bag faux-Hepburn status, leggy ladies with pockets hanging languidly on their naked thighs from the bottoms of light blue, too-intently-torn daisy dukes, babies in cons, spitting images of Greek Olympians, teen boys who look like teen girls with dreadlocks, gym goers whose parents financed
the Audi that they roared into the grass-field with… the list goes on…the ducks weren’t pleased. And all these animals appeared to be judging, judging, judging each other from the grassy knoll beside the pond-stage and rip-roaring drunk on sunshine
and single tall-boys at the sidelines.

The first day of qualifying was sunny, with little wind and judged intermittently by the Hoppe brothers and a few other attending pros.

Amateur and open men / women proceeded to jog through two laps of the course, getting scored on variety, air tricks, obstacle tricks and intensity. And the level was high. Although the pros were sitting the qualifying day out, the level that came especially from the amateur amateurs of both sexes shut up every too-cocky bystander doing little more than sipping their sun-burn brighter in the afternoon solsken. And although the tension in the air was apparent, it was still being held in someones backyard  (if you forgot about the Neff Tent, the beer tent, the moto cross rider doing shirtless endo’s in circles and the pure reverberating volume of the cheers when anything got stomped in the pond) so, people weren’t exactly ‘playing it safe’ on the first day. Personal bests got attempted and some were even surprisingly landed. The old adage of kooks using Kodak courage paid off for a lucky couple and after a fire poi show that concluded with an audience member’s cigarette being lit, we took to the white tent to find our dancing feet.

Sleeping in a station wagon has no mystique, but after waking up sticky for a minute before cracking the window and letting the shady air rage in, I smiled: listening to the sound of the cable tearing people into the features at little past nine a.m the next day. The crack of a wakeboard landing on the flat water of a pond is like a cap gun: like an artistic car crash is to a blind man: there’s the whizzing wind up in place of our hypothetical tires squealing; the moment where you mentalize with whoever is in the spotlight or seeing their life flash before their eyes, and then either the unsuccessful splash of ass cheeks or the confident stomp that sounds like a THWACK. Regardless, I woke up and approached the body of water to journalize the finals with a Falcon Can in each pocket, and at little more than a speedy saunter.

After breakfast off the grill from Grandma, I started to take a few notes as the pro finals from each gender started developing.

Trick wise, it seems like for men, doing doubles is quite hot at the moment with four of the chaps in the finals tossing them with every-day confidence, including: Jeremia Hoppe (double mute halfcab roll), Benjamin Hoppe (double s bends), Mattais Hoppe (whirly dick) and Nico von Lerchenfeld (double back roll).

For ladies, S bends on the air-trick side of things seemed to be quite progressive as well as tantrums being so common that they appeared a necessary ingredient to get to the finals.

With my few Falcon’s now down, I made my way into the swamp to urinate and heard the distant crowd roar behind me as the man on the microphone made a sincere ass out of himself.

In a large way, the pro men’s finals were judged by the crowd: after a riders lap, the crowd would cheer while a kronor count went higher and higher until the applause died down and therefore, they’d get what they ‘deserved’ (many opting for crowd-pleasing circus tricks). So with a large pot to disperse and a drunken crowd growing ever-more hoarse, the men lapped and lapped and lapped until the funds were all dried up.

The sun drained down like the lager did; mosquito came from the forests edge, the lawn emptied of expensive cars, and last night’s once-white tent became dirty and segregated with amateur boys standing statue still. Girls in three rows of four did
the synchronized ‘surfer girl’ routine while the lesser sex stared and stated nothing other than that they were afraid. A freestyle battle ensued between two too-clean, and the crowd roared on, on que.

SWEDISH TRANSLATION via Maud Gothlin

Våta drömmar på WCPEs Champ of Scandinavia

Av Ben Wannamaker

Att komma till Sveriges eget Neverland två veckor innan den årliga kabel-tävlingen Champ of Scandinavia i juli var, utan minsta överdrift, ett mind-fuck.

Har man som atlet av valfritt bräd-slag  (skate-, snow-, surf-, kite- och inte minst wake-boardåkare) någon som helst spatial medvetenhet kan man knappast närma sig en anläggning som den på WCPE (West Coast Park Events) på ett civiliserat sätt. Det börjar genast rycka i kroppens shred-muskler. För på baksidan till den tävlande Hoppe-klanens (Benjamin, Mattias, Jeremia och Judith) familjehem finns nämligen: en perfekt poppande trampolin, ett 2.0 kabelsystem (i en välplacerad damm fylld med obstacles som tagna från en wakeboardåkares våta dröm), en miniramp, ett summer-setup för de som normalt rippar på snö, en volleyboll plan och (som grädde på moset) en vedeldad badtunna.

Det gladde mig att området fortfarande “sov” när jag kom dit två veckor innan nämnda tävling. Förändringen som skedde från den dagen till tävlingsdagen var påtaglig.

Ena dagen, innan mediestormen härjade loss, kunde jag röra mig fritt mellan trampolinen och minirampen, för att andra dagen plötsligt behöva väja för gaseller utan kläder. I händerna höll deras skulpterade pojkvänner hamburgare och runt deras vältränade halsar svängde orimligt dyra iphoneväskor, matchat med glansiga glajjer och taskiga tribal- tatueringar. Den lilla andfamiljen som lugnt guppat omkring i dammen under de ljumma kvällarna när jag först kom hit, tvingades två veckor senare hastigt bort från sitt bo av sexhundra laid-back-stajlade ungdomar, stolta pappor med taskiga solbrännor,  nyblivet myndiga brudar med fejkad Hepburnstil, långbenta damer med fickor hängandes mot de nakna låren från nederdelen av sina mycket-medvetet-söndertrasade jeansshorts, bebisar i vagnar, kopior av grekiska gudar, tonårspojkar som ser ut som tonårsflickor med dreadlocks, muskelspännare vars föräldrar sponsrat Audin som de gasade in på gräsplanen med… listan fortsätter… andfamiljen var inte glad. Och alla dessa varelser verkade (av blotta uppenbarelsen att) döma (varandra) bredvid dammen-som-blivit-scen, vara sjukt fulla på både solsken och öl.

Den första kvaldagen var det ultimata wake-förhållanden: sol, och knappt någon vind. Dömde gjorde proffsen: bröderna Hoppe ackompanjerades av både andra invitational-åkare och speciellt inbjudna domare.

Deltagarna i amatörklassen såväl som open ladies/ men satte fart genom två varv av banan och blev bedömda utifrån fyra kriterier: variation, air-tricks, obstacles och intensitet. Och nivån var hög. Även om proffsen inte deltog i kvalen så var prestationerna, speciellt från nybörjaramatörerna på både tjej och kill-sidan, så bra att det täppte igen käften på alla kaxiga åskådare som inte sysslade med mycket annat än att jobba på brännan i eftermiddagssolen. Och även om stämningen var så spänd att man kunde ta på den, var det ju ändå så att tävlingen hölls på någons bakgård (om man inte räknar med Neff Tent, öltältet, motorcrossåkaren som åkte runt barbröstad i cirklar på framdäcket och det genljudande jubel som infann sig varje gång något sjukt stompades på vattnet), så folk höll sig inte direkt till sina säkra kort den första dagen. Med lite kodak- courage gjordes det flera försök på personbästa och förvånansvärt nog landades en hel del nya trick. Efter en poi-show där en av åskådarnas cigaretter tändes begav vi oss till det vita tältet för att svänga på våra lurviga.

Det finns inget romantiskt med att sova i en kombi, men efter ett klibbigt uppvaknande vilket hastigt följdes av en nedvevad ruta och således frisk luft, så log jag till ljudet av hur kabeln redan börjat slunga åkare i luften strax efter klockan nio följande dag. Ljudet av en wakeboard som landar på en stilla vattenyta är som när en knallpulverpistol går av, precis som en konstnärlig bilolycka måste te sig för en blind: den visslande vinden som får symbolisera däckens skrik, ögonblicket då du blir ett med personen i strålkastarljuset eller ser hur deras liv fladdrar förbi framför deras ögon, och sedan antingen ljudet av misslyckande i form av röv mot vatten, eller ett segervisst stompat SMACK. I vilket fall så vaknade jag till och strosade i maklig takt mot vattnet för att dokumentera finalerna med en Falcon i varje ficka.

Efter frukosten från Hoppe-farmor vid grillen satte jag mig tillrätta i solen för att studera proffs- finalernas utveckling.

På herrsidan verkar det som att det är inne att göra doubles då fyra av killarna i finalen flippade lika säkert som om de gjort det i sömnen: Jeremia Hoppe (double mute halfcab roll), Benjamin Hoppe (double s bend), Mattias Hoppe (whirly dick) och Nico von Lerchenfeld (double back roll).

För damerna verkade S-bends i air-tricks avdelningen vara det nya svarta, liksom tantrums som var så vanliga att de verkade vara en nödvändig ingrediens för att ens ta sig till final.

Eftersom jag hade fått i mig ett par Falcons vid det här laget begav jag mig inåt träsket för att urinera och hörde publikens avlägsna jubel bakom mig då mannen bakom mikrofonen skämde ut sig själv fullständigt.

Pro-men finalen dömdes av åskådarna: efter åkarens varv så jublade publiken medan speakerns hand (fungerade som ‘mynträknare’ i tusenlappar) höll upp finger efter finger tills applåderna dog ut och åkarna därmed fick de vad de “förtjänade” (det blev en hel del publikfriande cirkustrick). Så med en stor prispott att fördelas och en full publik som blev allt hesare, åkte herrarna varv på varv på varv tills både pott och drycker sinat.

Solen gick ner, ölen likaså, myggorna surrade fram från skogsbrynen, parkeringen tömdes på dyra bilar och gårdagsnattens en gång så vita tält var smutsigt med amatörpojkar i alla hörn. I tre rader av fyra gjorde tjejerna en synkroniserad “surfer girl”-koreografi medan hörnens stillastående statyer stirrade. Ett freestyle battle hölls  mellan två tillsynes priviligerade unga kombattanter, och publiken tjöt som på given signal.

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